traces of the inexorable
impossible turning away from the body,
as the text resembles,
a sign amidst the visible,
a mark upon many surfaces ,
just another body,
the breath of speech is also of the body,
writing, a writer, a pad, a pen, a text,
inscribed amidst a situation
detached from the real,
reflecting, recounting, reconstructing -
positing an ideal real –
but, detached from the text
is the writer, as the fabrication,
the marks of inscription,
this labyrinth, is only a ‘model’
deployed in our instruction
into the divine mysteries.

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